RH-002 | 8CD box | WANDA LUZZATO
The Art of Violin

RH-002 | 8CD box | WANDA LUZZATO

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Rhine Classics RH-002 | 8 CD
The Art of Violin 2 | WANDA LUZZATO
“Hubay’s most talented pupil after Vecsey” | 1955-1979 unreleased recordings

 ***RECORDING OF THE MONTH (May 2017)***

CD1 | T.T. 67'22''
Pyotr Ilyich Tchaikovsky
[1]-[3] Violin Concerto in D major, Op.35 
Orchestra Sinfonica di Milano della RAI | Efrem Kurtz
Recorded: live broadcast, RAI | Sala Grande del Conservatorio G.Verdi, Milano | 25 March 1960
Felix Mendelssohn Bartholdy
[4]-[6] Violin Concerto (No.2) in E minor, Op.64
Orchestra Sinfonica di Milano della RAI | Franco Caracciolo
Recorded: live broadcast, RAI | Teatro Fraschini, Pavia | 9 November 1966

 

CD2 | T.T. 72'54''
Felix Mendelssohn-Bartholdy
[1]-[3] Violin Concerto (No.2) in E minor, Op.64
Orchestra della Radio Svizzera Italiana | Niklaus Wyss
Recorded: live broadcast, RSI | Chiesa della Collegiata, Bellinzona | 7 June 1970
Giorgio Federico Ghedini (1892-1965)
[4]-[7] Divertimento in D major, for violin and orchestra (1959/60) -dedicated to Wanda Luzzato-      
Orchestra Sinfonica di Torino della RAI | Hilmar Schatz
Recorded: live broadcast, RAI | Auditorium RAI, Torino | 28 October 1960
WORKING-ON | REHEARSAL WITH COMPOSER:
Giorgio Federico Ghedini
[8]   Divertimento in D major | violin solo part
Recorded: rehearsal | Ghedini’s room at the Conservatorio G.Verdi, Milano | October 1960

CD3 | T.T. 58'53''
Richard Strauss
[1]-[3] Violin Sonata in E-flat major, Op.18
Hans Vogt, piano
Recorded: original master | BS studio M3, SRG Radio, Basel | 23 February 1962
Franco Margola (1908-1992)
[4]-[6] Violin Sonata No.3 “Sonata breve” (N. Cat. 46) (1936/37)
Antonio Beltrami, piano
Recorded: rehearsal | studio RAI, Milano | 19 December 1968 (broadcast: 17 January 1970)
Ildebrando Pizzetti (1880-1968)
[7]-[9] Tre Canti, for violin and piano (1924)
Karol Szymanowski
[10]   La Fontaine d’Arethuse, Op.30/1 (1915)
Antonio Beltrami, piano
Recorded: rehearsal | studio RAI, Milano | 1968 (never broadcast)

CD4 | T.T. 67'12''
Franz Schubert
[1]-[4] Violin Sonata (Sonatina) No.1 in D major, Op.137/1, D.384
Robert Schumann
[5]-[9] Violin Sonata No.2 in D minor, Op.121 “Große Sonate”
Antonio Beltrami, piano
Recorded: rehearsal | studio RAI, Milano | 1962 (broadcast: 29 May 1963)
(1-9: unedited tape | with performers speech)
Robert Schumann
[10]-[13] Violin Sonata No.2 in D minor, Op.121 “Große Sonate”
Antonio Beltrami, piano
Recorded: studio RAI, Milano | 1962 (broadcast: 11 March 1963)

CD5 | T.T. 66'18''
Felix Mendelssohn Bartholdy
[1]-[3] Violin Sonata (No.2) in F minor, Op.4
César Franck
[4]-[7] Violin Sonata in A major, M.8
Recorded: rehearsal | studio RAI, Milano | 1962 (telecast: 19 & 26 June 1963)
Franz Ries (1846-1932)
[8]   Perpetuum mobile, Op.34/5
Antonio Beltrami, piano
Recorded: rehearsal | studio RAI, Milano | 1962 (never broadcast)
(1-8: unedited tape | with performers speech)
Johannes Brahms
[9]-[11] Violin Sonata No.2 in A major, Op.100
Antonio Beltrami, piano
Recorded: studio RAI, Milano | broadcast: 13 March 1955

CD6 | T.T. 56'53''
Francesco Maria Veracini (1690-1768)
[1]-[4] Violin Sonata in E minor, Op.2/8 (arr. Ferdinand David)
Antonio Beltrami, piano
Recorded: studio RAI, Milano | broadcast: 13 March 1955
Georg Friedrich Händel
[5]-[8] Violin Sonata (No.4) in D major, Op.1/13, HWV 371
Fritz Kreisler
[9]   Praeludium and Allegro “in the Style of Pugnani”, in E minor
Karol Szymanowski
[10]   La Fontaine d’Arethuse, Op.30/1 (from “Mythes”, M29)
Franz Ries
[11]   Perpetuum mobile, Op.34/5 (from “Suite No. III” in G major)
Antonio Beltrami, piano
Recorded: studio RAI, Milano | 1969 (telecast: 26 June 1970)
WORKING-ON | VIOLIN SOLO:
Johann Sebastian Bach
[12] Violin solo Partita No.3 in E major, BWV 1006: I. Preludio
[13]-[14] Violin solo Sonata No.2 in A minor, BWV 1003: III. Andante
Recorded: rehearsal | Luzzato’s home, Milano | 1960
Niccolò Paganini
[15]-[16] Caprice No.5 in A minor (Agitato), for solo violin, Op.1, M.S.25
Recorded: rehearsal | Luzzato’s home, Milano | 1960
[17] Caprice No.5 in A minor (Agitato), for solo violin, Op.1, M.S.25
Recorded: rehearsal | Luzzato’s home, Milano | 1966

CD7 | T.T. 71'32''
WORKING-ON | VIOLIN SOLO PART:
Pyotr Ilyich Tchaikovsky
[1] Violin Concerto in D major, Op.35: I. Allegro moderato (fragments & Cadenza)
Recorded: rehearsal | Luzzato’s home, Milano | March 1960
Giorgio Federico Ghedini
[2]-[5] Divertimento in D major (1959/60)
Recorded: rehearsal | Luzzato’s home, Milano | October 1960
Wolfgang Amadeus Mozart
[6]-[8] Violin Concerto No.4 in D major, K.218
Recorded: rehearsal | Luzzato’s home, Milano | 1970
Felix Mendelssohn-Bartholdy
[9]-[11] Violin Concerto (No.2) in E minor, Op.64
Recorded: rehearsal | Luzzato’s home, Milano | 1966

CD8 | T.T. 53'03''
THE LAST RECORDINGS:
[1]   Italian Radio broadcast announce
Felix Mendelssohn Bartholdy
[2]-[4] Violin Sonata (No.2) in F minor, Op.4
[5]   Italian Radio broadcast announce
Robert Schumann
[6]-[9] Violin Sonata No.2 in D minor, Op.121 “Große Sonate”
Leonardo Leonardi, piano
Recorded: studio RAI, Milano | 31 January 1979 (broadcast: 9 July 1979)
 
8 CD | RH-002
audio source:  radio masters | radio broadcasts | reel-to-reel tapes
audio preservation:  Wanda Luzzato archive | Gianluca La Villa
producer | audio restoration | mastering:  Emilio Pessina
photographs:  Luzzato private archive
booklet notes:  Gianluca La Villa
text editing:  Ilde Weffort
design:  Emilio Pessina
℗ & © 2017 RHINE CLASSICS
ADD | Stereo | Mono

5 DIAPASON | July 2017 | Jean-Michel Molkhou | Diapason No.659 (p.124) | JASCHA HEIFETZ | 2CD
«La Révélation de témoignages inédits de Jascha Heifetz est toujours un événement. Les deux concertos ont été captés (live) à une époque où le violoniste, qui s'était installé en Californie, régnait encore quasiment sans partage sur le monde du violon américain. [...] Heifetz se livre à une démonstration d'anthologie, apparaissant là au sommet absolu de son art, et peut-être même de l'art de jouer du violon. Deux documents plus anciens (1950), dont une fantastique Habanera de Sarasate qui n'avait guère circulé que sur un rarissime microsillon du label Penzance, complètent ce double album agrémenté de superbes photos.» FRA

5***** | 9 July 2017 | Gary Lemco | Audiophile Audition | JASCHA HEIFETZ | 2CD
«Jascha Heifetz performances previously unreleased emerge on a new, important label in excellent sound. The live broadcasts offered here through the efforts of Producer and Audio Restoration Engineer Emilio Pessina derive from radio master and unreleased reel-to-reel audio tapes from both the Hollywood Bowl (1 September 1963) and the Dorothy Chandler Pavilion (6 December 1964). Pessina has maintained the audience response, and so the sheer level of excitement remains undeniable, especially after the Brahms Double Concerto with Piatigorsky and Bernstein. This Rhine Classics label promises to rank high in the pantheon of historic reissues.» ENG

July 2017 | Jonathan Woolf | Music Web International | ALFONSO MOSESTI plays SINIGAGLIA & ILLERSBERG | 1CD
«Despite the rarity of the repertoire, Rhine Classics has promoted its latest release under the name of the soloist in both works, Alfonso Mosesti, in its ‘The Golden Age of Concertmasters’ marque. [...] This brace of Italian concertos preserves much that is lyric and generous-minded. If you have an affinity with the composers cited in the review and are not allergic to historic recordings, then you will enjoy exploring these barely-heard scores, and find much pleasure in doing so. [...] The restoration by Emilio Pessina is excellent.» ENG

June 2017 | Jonathan Woolf | Music Web International | JASCHA HEIFETZ | 2CD
«This is a valuable addition to the discography. - The Los Angeles concerts of 1963-1964 were given at the Hollywood Bowl, in which Heifetz and Piatigorsky played the Brahms Double with Leonard Bernstein, and at the Dorothy Chandler Pavilion where the violinist essayed the Beethoven with Zubin Mehta. Neither concert has apparently been issued before. There are two bonus tracks, previously released, that come from the Bell Telephone Hour with Donald Voorhees conducting in Radio City, New York in February 1950. The Dvořák is tightly coiled, cloaked and hooded, full of inimitable tonal splendour and not remotely relaxed, whilst the Sarasate Habanera is suave and bewitching. Cembal d’amour once issued this (CD-113) but their transfer is cloudy and palpably inferior to this one.» ENG

June 2017 | Victor Eskenasy | Suplimentul de Cultura Nr.569, (12/06/2017)
«Not long ago, opening the second set of discs of the collection "The Art violin", published for label Rhine Classics (RH-002) by two great enthusiasts of violin in Italy, Gianluca La Villa and Emilio Pessina, I had the surprise to discover George Enescu and his signature in two photos of the booklet. The set is dedicated to the violonist, today almost forgotten, WANDA LUZZATO, according to the subtitle - which takes her professor's statement - "Jenö Hubay's most talented pupil after [Franz von] Vecsey." The eight CDs bring out for the first time the "unpublished recordings 1955-1979", remastered by Emilio Pessina in 24bit/96Khz.» ROU
WANDA LUZZATO - "A precocious talent, becoming a great accomplished artist..."

June 2017 | Jonathan Woolf | Music Web International | WANDA LUZZATO | 8CD
«Bravo to all concerned for this loving, extensive and rewarding box. - A second release to be devoted to the art of Italian violinist Wanda Luzzato and it appears as an 8-CD box in the second volume of Rhine Classics’s exciting new "The Art of Violin" series. This outstanding box comes with a particularly, indeed conspicuously excellent 32-page booklet, with commentary by Gianluca La Villa. The tapes existed in various states [...] with restoration process completed by the remastering of Emilio Pessina.» ENG

June 2017 | Trinax Chou | AudioArt Vol.345 | WANDA LUZZATO | 8CD
«This is my top recommended historical recording in this year. - In my opinion, “historical recording” not only should present the playing style for the specific era, but also should find the best artist and best playing from that era. Wish more musical lovers can understand the efforts of Rhine Classics from this Luzzato’s box set. If you like this Luzzato’s set, the other publications from Rhine Classics (Aldo Ferraresi, Alfonso Mosesti, Jascha Heifetz) will also make you surprised. Rare recordings, fantastic artists, interesting works, all of my concerning points for “historical recordings” are fulfilled in Rhine Classics’ CDs.» TPE 

RÉCOMPENSE : LES CLEFS DU MOIS | 25 May 2017 | Maciej Chizynski | ResMusica | À emporter, CD | ALDO FERRARESI | 18CD 
«ALDO FERRARESI, MAÎTRE OUBLIÉ DU VIOLON - Si Aldo Ferraresi est de nos jours méconnu, il fut jadis considéré comme l’un des grands musiciens de son époque. Son héritage discographique nous est offert par un label nouvellement créé, Rhine Classics, dans le cadre de la série "L’Art du violon". C’est celle-ci, ainsi qu’une légèreté d’archet extraordinaire, qui planent sur les interprétations du violoniste: Ferraresi fait chanter son instrument comme peu d’autres. C’est pourquoi, d’ailleurs, on l’appelle le "Gigli du violon", comparant ainsi son art à celui de Beniamino Gigli, qui possédait une des plus belles voix jamais entendues, avec une maîtrise totale du style et de la technique belcantistes.» FRA

RECORDING OF THE MONTHRECORDING OF THE MONTH | May 2017 | Stephen Greenbank | Music Web International | WANDA LUZZATO | 8CD
«Valuable recorded documents from the Wanda Luzzato Archive. - I would encourage all violin afficionados to explore this compelling collection. I’m most impressed by Rhine Classics presentation. Everything about this production spells quality. [...] Luzzato commands a formidable technique. Her tone is sweet and pure and comes over as silvery in some recordings. Her vibrato is on the fast side, and her coloristic range isn’t as varied as the likes of say Menuhin, Heifetz or Perlman. Intonation is for the most part pristine. She seems to be greatly influenced by Heifetz in her use of expressive slides and position changes. Emilio Pessina's expert restorations and remasterings are to be commended.» ENG

May 2017 | Stephen Greenbank | Music Web International | JASCHA HEIFETZ The Legendary Los Angeles Concerts | 2CD
«Valuable additions to the Heifetz discography using a high quality remastering process. - These audio documents have been expertly restored and emerge warmly defined and vibrant, having been given a new lease of life by Emilio Pessina. I’m pleased that the soloist’s pre-performance tuning and applause has been retained, as this creates some of the atmosphere of the live event. There is an added bonus in the form of some beautifully produced black and white photographs of the musicians, including several I have never seen before.» ENG

May 2017 | Stephen Greenbank | Music Web International | SINIGAGLIA & ILLERSBERG Violin Concertos | 1CD
«The value of this release lies in the rarity of these captivating scores, performed by a violinist with a close affinity to both. - This interesting release focuses on the Italian violinist Alfonso Mosesti (b.1924). The recordings have scrubbed up well for their age and provenance thanks to the expert remastering of Emilio Pessina. The documentation is second-to-none, written by Gianluca La Villa, who sets the music in some sort of historical context. The beautifully reproduced black and white photographs are the icing on the cake.» ENG

January 2017 | Jonathan Woolf | Music Web International | ALDO FERRARESI | 18CD
«This new box does Ferraresi’s memory proud. - A splendid and attractive conventional box. There is a 32-page booklet in which one can find full discographic information, an excellent biographical portrait and some splendidly reproduced photographs. A further piece of good news is that advances in restoration have taken place so that the tapes and LP transfers sound better now, in a number of cases, than in their first appearance [...] the recorded sound varies [...] but Emilio Pessina has done a fine job on all these matters. Ferraresi was a rather fascinating character and these performances, invariably show spontaneity and excitement. Full marks to all concerned for revisiting and enlarging and improving the already substantial earlier edition.» ENG

January 2017 | Victor Eskenasy | Suplimentul de Cultura Nr.550-551 (16-23/01/2017)
«An admirable set of 18 CD, published by label Rhine Classics. - The box, that puts together ALDO FERRARESI 's 1929-1973 recordings, is the first from a very promising series named "The Art of Violin". Born in 1902, Ferraresi, recommended to Ysaye [...] made further an admirable carrier, especially in Italy, playing under great conductors, not the last Celibidache. An American critic wrote that there are many tapes with Ferraresi, and he urged to be published. Today is done, result of the collaboration between professionist of the violin, Gianluca La Villa and audio restoration engineer and producer Emilio Pessina, that gave us an exclusive interview.» ROU
Italian musical heritage: Aldo Ferraresi | Talking to Emilio Pessina Part (I) & (Part II)

November 2016 | Jean-Michel Molkhou | Critique musical pour Diapason (FR)
«ALDO FERRARESI - un splendide coffret qui répare une injustice de l'histoire. Belle présentation, renseignements discographiques précis, nombreuses photographies, biographie détaillée. Je vais écouter cela avec la plus grande attention. Bravo.»

November 2016 | Cheniston K. Roland | Violin Historian (UK)
«Magnificent ALDO FERRARESI box set. What can I say the set is a masterpiece, beautifully presented and a real work of art. I was delighted. Let me once again thank you for your magnum opus, the Ferraresi Box, which I shall treasure and am proud to add to my collection. Your grateful friend.»

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